Posts tagged "kentmere"

• Ugly / Beautiful

  Published on May 1, 2023

  Last Friday, I had the unfortunate honor of experiencing (yet another) race-related incident in San Francisco. A mentally unwell person pointed a kitchen blow torch at me, with the flame out, and threatened to 'burn me' because I was an 'ugly Chinese ho'. I laughed it off, but I guess she was serious, and then she started pointing that thing at my dog and also calling her an ugly Chinese ho (???). Thankfully, I was able to leave as my bus arrived quickly.

  I took the day off to decompress. This situation came hot on the heels of some conversations that my wife and I have been having: what is home? Where is it? What does it mean for us to build a home together? I decided to take a long walk through San Francisco. I needed to remember why I came here, and why this city is still, despite its many, many warts, a home I see us living in for the long haul.

  I got coffee, met friends and family for dim sum, pet many dogs. I looked at the bay; I breathed in and out. While the city's beauty cannot make up for some of the ugliness that one experiences as a result of bigotry, I am reminded of how, on balance, I have had a largely good time here; I have experienced a lot of love and support, especially at moments like these; and I have the space to participate in activism to push back precisely on this sort of thing.

  

  Delicious coffee at Home.

  

  Playgrounds for the children in my neighborhood.

  

  Vintage signs in Chinatown.

  

  Saw many gorgeous dogs on a gorgeous day.

  

  And many relevant signs.

  At the end of the day, I come back to my maybe slightly nihilistic view that there are no good countries. My wife experiences everyday racism in Singapore, that felt like it was worsening towards the end of her decade there; that, plus the fact that my home country doesn't recognize our marriage, are among the many reasons we don't live there anymore. A country where we are both outsiders, where we have the ability to participate fully in the building of a society that we want to be a part of, feels, at this point, like where we want to be in spite of the other BS that it comes with.

  All photos taken on Minolta Hi-Matic 7S II, Kentmere 400, self dev in Rodinal 1:50 and scanned on Plustek 8200i

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• One Night in the Mission

  Published on March 31, 2023

  I used to be a creature of the night, but no longer. I used to be out all the time, but rarely now. Partly, it's that San Francisco is so chilly at night, but also that it's pretty dead at night compared to the much bigger cities I've lived in. I don't quite enjoy walking around, cold, in areas where there just sijmply isn't that much going on at all. For my wife's birthday, we went out to dinner in the Mission and I also brought my Minolta Hi-Matic 7S II. It's fast becoming one of the cameras I use the most: its f1.7 lens, combined with the small form factor and weight, makes it easy for me to pop it into my jacket pocket. It works really well indoors at night, too, with black and white film (and a steady hand.. or an elbow firmly on a table or chair or door, which is my style. I dislike tripods).

  Here are some shots on Kentmere 400, pushed to 800 in Ilfosol 3 (1:9). I really like the combination of this film and this camera, and my self dev setup at home these days. Scanned on Noritsu LS-600.

  

  The outdoor space at Blue Plate is quite lovely. So is the key lime pie there.

  

  I love neon signs. I also love that I was professionally involved in getting these 'parklets' up early pandemic: my team at sf.gov helped get a joint permitting process out quickly to help businesses move their business outdoors.

  

  Alamo Drafthouse in the Mission.

  

  Street tacos are the best tacos. There was a lot of light from one side from the street lamps, but I quite enjoy the effect it casts on the photo.

  I am starting to feel more confident about bulk-rolling black and white film and developing it at home. Other than the cost savings, it's the immediacy that I love: I can roll a 24 exposure cassette in black and white, shoot it in an hour, and come back and process it immediately and see it shortly after through a scanner or light table.

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