March 03, 2005

Release

Where I dig into my archives and repost stuff I like. This one’s from 2005.

like the foreign worker who, having spent six days of every week, fifty one weeks of every year, building for a country that is not his, listening to languages that are not his, but whose greatest pleasure comes from talking every Sunday in his native tongue for hours to any relative and friend in Dhaka who will listen, to release his repressed Bengali at a dollar a minute, no matter the cost, who,

like the repressed lesbian kissing her first girl after a string of boyfriends, and is perfunctorily surprised to find she likes it much more, because girls don’t merely stick it in and slop around but take their time with her, and she knows now, from a kiss alone, that irrevocably, and uncontrollably, she has to be, the mystery ends here, no matter the cost, who,

like the seven year old in his first week of school, is afraid of teachers, people he calls monsters, as they are very big and scary and always demand to know if his shoes are white, if his nails are clean, if he’s brought his consent form, like it matters at all, and he finally manages the courage to raise his hand, to ask in a meek voice, if he can go to the toilet, there where he swears to never again take Ryan on in the challenge of drinking three cans of Coke at a go, no matter the cost, who,

like the wage slave on her night out after years in the office, is relieved to find the bar to be the same as when she last left it, in 2001, only that the prices of the drinks have risen proportionately to her income, so has the number of suitors (men and women) taken on an inverse relationship to it, and she realizes she is now 28, though last she checked it was 2001, and once in 2003, so after a few rounds of whisky she gets groovy, at the time of the night where whisky is now called ‘happy juice’, determined to have fun for a change, no matter the cost, who,

like me, is relieved to find release, release from the spell of old, from the bright lights and other excesses, from the daisy chain of ex lovers of ex lovers who are now each other’s new lovers, from the endless chain that swears they love you, truly, really, but not really at all, but now finds greatest pleasure in holding the hand of the one I said I loved yesterday, though I already meant it everyday before yesterday, in sitting here writing, as she sits here sketching, admiring her with the silliness of the first flush of love on my face, knowing that I am, in far too many ways, as a woman reborn, in a motion picture where I provide the words and she the pictures, set to the soundtrack that is ours, and ours alone, and I leave this dangling without a full stop because that’s just the way it is, no matter the cost